His Daughters Read Me His Will With His Black Felt-Tip In My Pocket

William Turner

My husband was two hours into a triple bypass when his daughters came back to the waiting room with his spare keys and the envelope out of his store safe. Alison read me his will in front of strangers, then said, “Five thousand and the piano, Verna. That’s what six years bought you.” Then my phone rang, and it was the store.

Earl was seventy-one, and the surgeon had used the word “risk” three times the night before.

At 7:40 that Thursday he squeezed my hand on the gurney.

“Don’t let the girls rattle you,” he said.

Then the double doors swung shut behind him.

Alison and Kelsey walked in at ten past eight carrying coffee for themselves.

Two cups.

They sat across from me under a TV showing a couple tiling a bathroom with the sound off.

I married their father six years ago, in the church in Pekin where I’ve played the organ since 1994.

They came to the wedding. They left before the cake.

For six years of Sunday dinners I was “the organ lady” whenever they thought I’d gone to the kitchen.

Kelsey asked if Dad had said anything about the store before he went under.

“He said the sign’s on the door and Jorge has the day off,” I said.

She looked at her sister.

At half past eight they both stood up.

“We’re going to grab breakfast,” Alison said. “Text us if anything happens.”

I sat with a word search book I wasn’t doing for an hour and twenty minutes.

When they came back, there was no breakfast.

Alison had a key ring hooked on her finger.

Brass tag.

The one that hangs by our back door, under the calendar from the feed store.

Kelsey had a long manila envelope.

My stomach went before my head caught up.

“Where did you get Earl’s keys?” I said.

“We have a house key, Verna. We’ve always had a house key.”

Alison sat right beside me this time.

She slid the papers out like she was dealing cards.

“The last will of Earl Haywood,” she said, loud enough that the family by the window stopped talking.

“Alison, he’s in surgery.”

“Which is exactly why somebody needs to know where things stand.”

Then she read it.

All of it.

The store to Alison and Kelsey, equal shares. The house to Alison and Kelsey. The truck, the bass boat and the savings to Alison and Kelsey.

“To my wife, Verna, the sum of five thousand dollars and the upright piano in the front room.”

She looked at me over the top of the page.

“So that’s settled,” she said.

A man in a hunting jacket by the vending machine got up and left.

Kelsey leaned in. “We’re not trying to be cruel. It’s just better you hear it from us now than from a lawyer later.”

“Your father is ON THE TABLE,” I said.

“And when he comes off it, nothing changes,” Alison said. “This is what he wanted.”

She tapped the signature at the bottom. Blue ballpoint. That big looping E.

Earl signs everything with the black felt-tip that lives in his shirt pocket. Checks. Birthday cards. Our marriage license.

I didn’t say that.

“You’ll want to be packed when the thirty days are up,” Kelsey said. “We already called a realtor.”

“A realtor. While he’s under.”

“Be realistic. He’s seventy-one.”

Something in me went very quiet and very cold.

“Give me those keys,” I said.

Alison closed her fist around them.

“These are DAD’S. Not YOURS.”

“Then why are they in YOUR hand?”

The family by the window was openly watching now. A lady with a rosary had stopped moving her fingers.

“Nobody needs a scene,” Kelsey said.

“You read a man’s will out loud in a hospital while a surgeon has his heart stopped,” I said. “THIS IS THE SCENE.”

Alison laughed.

Really laughed.

Then she folded the pages into the envelope and put it in her purse. Hers, not his.

“We’ll be at the store this afternoon doing inventory,” she said. “You don’t need to come.”

That’s when my phone buzzed on my knee.

The store’s landline.

Nobody should have been there. The sign was on the door.

I answered.

“Mrs. Haywood? It’s Jorge.”

“You’re off today.”

“Yes ma’am. The safe alarm went off at 9:14 and it pings my phone. I watched the camera from my kitchen, then I drove in.”

Across from me Alison was checking her lipstick in her phone screen.

“I know who it was,” I said.

“Earl figured you might.” He went quiet a second. “He gave me something back in March. Said if that safe ever got opened while he was laid up, I don’t call the police. I call you.”

“Jorge, what did he give you?”

“Before I tell you,” he said, “he made me promise to ask you one thing.”

He stopped.

“Did they read it out loud to you, Mrs. Haywood?”

The store’s landline

“Yes,” I said.

Jorge let his breath out on the other end. The way he does when he sets a fifty-pound bag of softener salt on the counter.

“Then I’ve got an envelope for you,” he said. “Your name’s on the front in his marker. It’s been in my glove box since March. He said not to open it where the girls can see.”

“What’s in it?”

“I never looked. He’d know if I did.”

Kelsey had stopped pretending she wasn’t listening.

“I can be there in twenty minutes,” Jorge said. “Where do I find you?”

“Third floor. Surgical waiting. Ask at the desk.”

I hung up and put the phone face down on the word search.

“Who was that?” Alison said.

“Church,” I said. “They need somebody for a funeral Saturday.”

It was the first lie I’d told either of them in six years, and it came out easy.

Alison stood up and shook the key ring so the brass tag clinked against the keys.

“We’re going to run by the house,” she said. “Dad’ll want his reading glasses when he wakes up.”

“His glasses are in my purse.”

“Then his robe. The plaid one.”

Kelsey picked up both coffee cups, hers and her sister’s, and dropped them in the trash by the elevator. They were still half full. I heard them land.

Alison pushed the button. The doors opened.

“We’ll lock up behind us,” she said.

The upright in the front room

The piano was my mother’s.

A 1958 Baldwin she bought on time from a music store in Peoria and paid off at four dollars a week. She kept the payment book in the bench under her hymnals, and it’s still in there, every week stamped.

When Earl and I married, he and Jorge and two men from the choir carried it out of my apartment and into his front room. Earl took the screen door off its hinges to get it through.

Alison came to the first Sunday dinner after the wedding and stood in front of it with her coat still on.

“Does that have to be in the front room?”

“It’s Verna’s,” Earl said. “It goes where Verna says.”

So it stayed. It’s on my homeowner’s rider under my name, and I’ve paid that rider every November.

The felt-tips he buys by the box from his own store, the cheap black ones with the clip. At the courthouse the clerk handed him a ballpoint to sign our license and he said, “No thank you,” and took his own out of his pocket. The ink bled through to the carbon copy. The clerk didn’t like that.

Last February Earl had chest pains at the register and spent two nights on this same floor for tests. Alison drove down from Bloomington and stayed at our house to help. The second night she borrowed the brass-tag ring to pick up the store mail.

It was back on its hook in the morning.

About a week after he came home, Earl walked in from the store, sat at the kitchen table in his coat and said, “Somebody’s been in my safe.”

I asked who.

“Nothing’s missing,” he said, and went to wash up.

The next week Jorge was up a stepladder in the back office running a wire from the safe to a little box by the door.

Then one night in March I came home from choir practice and Earl was at the kitchen table with some long typed pages, writing with a blue ballpoint that said First Mid Bank on the side.

“Where’s your marker?” I said.

“This paper bleeds,” he said, and turned the pages over.

The next morning he drove to Damon Hogan’s office on Court Street. About the boat title, he told me.

Under my chair in the waiting room was the plastic bag the nurse handed me at 7:40. His jeans, his belt, his flannel shirt folded wrong.

The felt-tip was still clipped in the shirt pocket.

I took it out and held it with the cap on.

Cheyenne

The lady with the rosary came over and sat down two chairs away. Then one chair.

“I’m Maeve,” she said. “My husband’s in for a valve. Number eleven on the board.”

The board by the desk showed every patient as a number and a color. Earl was fourteen. Fourteen was green, which the volunteer had told me meant still in the room.

“I’m sorry about all that,” Maeve said.

“So am I.”

“I’d have hit her with my purse. I’m not proud of it.” She looked at the pen in my hand. “Can I ask you something? The paper she read. That was his writing?”

“No,” I said.

“Then who signed it?”

I didn’t have an answer for her. I got my phone back out instead.

Damon Hogan’s office picked up on the second ring. A young woman. I told her who I was and that my husband was in surgery and that I needed to know if Mr. Hogan held a will for Earl Haywood.

“Mr. Hogan’s in court in Peoria until three,” she said. “And I can’t tell you whether we hold documents for a client, ma’am. Not even to family.”

“I’m his wife.”

“Yes ma’am. I still can’t. I can take a message.”

I gave her my number. She read it back wrong. I gave it again.

Maeve was working her beads again but she wasn’t praying. She was listening.

Then I called the house.

Our landline is on the wall by the back door, right under the hook. I let it ring because I wanted Alison to have to walk to it and look at the empty hook while she picked up.

It rang four times.

“Haywood residence,” a woman said. “This is Cheyenne with Prairie Land Realty.”

I didn’t say anything for a second.

“Hello? Are you calling about the listing? We’re not live until Monday, but I’m doing the walk-through right now if you’d like to—”

“I live there,” I said. “You’re standing in my kitchen.”

Nothing on the line. Then, farther off, a cupboard door, and a voice I’d know anywhere.

“Hang it up, Cheyenne,” Alison said. “That’s nobody.”

February eleventh

Jorge came off the elevator at 10:31 in his brown work coat with the store’s name over the pocket. He’d driven in from his kitchen, he said, then to the store, then here, and he hadn’t had a chance to comb his hair.

He’s worked Earl’s counter for nineteen years. He calls me Mrs. Haywood and always has, even at the wedding with a beer in his hand.

He sat down on my other side, and Maeve got up and went back to her window without being asked.

“You want to see it?” he said.

He held his phone low between us.

The back office at the store, from the corner up by the ceiling. The clock on the clip said 9:14. Alison at the safe, working the dial without looking anything up. Kelsey behind her, holding her phone up for light even though the overhead was on.

The door swung open. Alison took out the manila envelope. Kelsey said something. Alison didn’t turn around.

“She knew the numbers,” I said.

“It’s been the same combination since I started,” Jorge said. “Their mother’s birthday.”

He stopped the clip.

“That one’s not what he wanted you to see, though.”

He scrolled back a long way. Gray squares going by. He found one and turned the phone so the screen faced me square.

February 11. 10:47 at night.

Same office. Same corner. Grainier, because the only light was the exit sign and a phone.

Alison at the safe again. Kelsey holding the light again. A different envelope, white, the long kind. Alison took the pages out and laid them on Earl’s desk and went down them one at a time with her finger. Then she held her phone over each page and took its picture.

Seven pages. I counted the flashes.

At the last page she stopped. She stood there a long time. Then she put her hand flat on Earl’s desk and pushed, hard, like she was trying to slide it into the wall.

Kelsey put the light down.

Alison put the pages back in the white envelope, the envelope back in the safe, and swung the door shut.

“That’s the second night he was in here,” I said. “She borrowed the ring for the mail.”

“Yes ma’am.”

“He saw this?”

“He sat in the back office and watched it four times while I ran the register. Then he had me put the alarm on.” Jorge put his phone in his coat. “What he put in the safe after that, he didn’t tell me. I didn’t ask.”

He reached into the other side of his coat and set a long envelope on my knee.

VERNA. Black felt-tip. Underlined twice.

The bank pen

I opened it with my thumb, the way Earl opens the light bill.

One sheet of yellow legal paper folded in thirds, and a business card. Damon Hogan, Attorney at Law, Court Street, Pekin.

The handwriting was all capitals, the way he letters price tags, and it had bled through to the back of the sheet in spots.

V. If Jorge gave you this, the girls got in my safe and read you what they found. I hoped they wouldn’t. I wrote that one at the kitchen table in March with a pen from the bank so you’d know it the second you saw it. Nobody can leave a woman her own piano. The real one is with Damon. You’re taken care of and I’m not saying how because you’ll argue. Jorge has February. Do what you want with any of it. I mean that. Don’t let them rattle you. E.

I read it twice.

Jorge looked at the TV the whole time. The couple had finished the bathroom and were standing in it with their arms around each other.

“You all right, Mrs. Haywood?”

“He made it up,” I said. “The whole thing. The store, the boat, the five thousand. He sat in my kitchen and made it up for them to find.”

“Sounds like him.”

“He wrote it so they’d read it.”

Jorge didn’t say anything to that.

I folded the yellow sheet back in thirds. I put it in my cardigan pocket with the felt-tip.

At 12:20 the surgeon came through the double doors still in his paper cap, and fourteen on the board went from green to blue.

“He’s off the pump,” the surgeon said. “Four grafts, not three, we found one more. He did well. He’ll be in recovery about forty minutes. Two visitors at a time, ten minutes each. He’ll still have the breathing tube in, so don’t expect conversation.”

I said thank you. I think I said it three times, the same way he’d said risk.

He’d been gone maybe two minutes when the elevator opened.

Alison came out first, carrying Earl’s plaid robe over one arm and a glossy folder with our house on the front. Kelsey came behind her with nothing.

Alison looked at the board.

“He’s out?” she said. “Kelsey and I go in first. Family.”

Recovery, two at a time

I stood up.

“Sit down, Alison.”

She didn’t. She put the robe on a chair and the folder on top of the robe so I’d see the picture of my own porch.

I took the yellow sheet out of my pocket and held it out to her.

“Read it,” I said. “Out loud. You’re good at that.”

She snatched it. She started reading it in a big flat voice, for the room, like she was reading a menu to somebody slow.

“V. If Jorge gave you this, the girls got in my safe and—”

She slowed down.

“—with a pen from the bank so you’d know it the—”

She stopped.

The family by the window had stopped talking again. Maeve had her beads in her fist.

“This is nothing,” Alison said. “This is a note. This is a piece of legal pad. Do you know what he was on in March? Blood thinners. He couldn’t remember where he put his truck keys. You’ve been in his ear for six years, Verna, and this is what you got out of it, a note? You think a note beats a will? We’ll get a lawyer. We’ll get Damon Hogan, he’s done Dad’s papers since before Mom—”

She stopped again.

“Since before Mom died,” Kelsey said.

“Jorge,” I said.

Jorge held up his phone with February on it. He didn’t press play. He didn’t have to. Alison could see the date in the corner from where she stood.

Her face went red from the collar up.

“That’s my father’s store,” she said. “I have every right to be in my father’s store. I was working that register when I was twelve years old. Where were you? You were playing hymns for eighty people who don’t listen. You’ve been here six years. Six. And you get the house? Mom’s house? The one she picked the tile for? He was seventy-one with a bad heart and two daughters, and he was supposed to—”

She stopped. Her mouth stayed open on it.

“Say it, Al,” Kelsey said.

Alison turned around.

“Say it. He was supposed to what.” Kelsey was standing very still with her hands in her vest pockets. “I told you in the car it wasn’t his pen. I said Dad doesn’t sign anything in blue. I said it twice. You said it didn’t matter if it was real, she’d still have to sit there and hear it.”

“Kelsey.”

“You said you wanted to see her face.”

Nobody in that room moved. The man in the hunting jacket had come back with a pop from somewhere and he stood in the doorway holding it.

I held out my hand.

“The keys,” I said.

Alison closed her fist the way she had at ten o’clock.

“Give her the keys, Al,” Kelsey said. “Give her the envelope too. It’s not even his.”

Alison opened her hand and dropped the ring on the robe. Then she took the manila envelope out of her purse and threw it on the floor at my feet, and the pages came halfway out.

A nurse put her head in. “Two for Earl Haywood?”

Alison picked up the robe.

“Just me,” I said.

He was gray and swollen and taped all over, and the tube was in his mouth, and his eyes found me anyway. His right hand moved on the sheet like it wanted something.

I put the felt-tip in it. I held the back cover of my word search under it.

It took him a long time. The letters went downhill.

THEY READ IT?

I could have said no. He’d have believed me for a while.

“Out loud,” I said. “In front of everybody.”

He shut his eyes. He kept them shut so long the nurse looked at the monitor.

Then he wrote one more line under the first.

HOGAN. MONDAY.

Sunday

Three Sundays later I brought two cups of coffee into the front room.

One for Earl, in his recliner with the heart-shaped pillow the hospital sends you home with, the one he has to hug when he coughs. One for me.

The brass-tag ring is back on its hook by the back door, under the feed-store calendar. Jorge changed the safe combination the Friday after. Earl asked him not to tell me the new one, and then told me himself at supper.

Damon Hogan came to the hospital that Monday with a briefcase and a notary. I sat in the hall with Maeve, whose husband was two doors down, and did not go in. I still don’t know what’s in Earl’s will. He hasn’t offered and I haven’t asked.

Kelsey calls on Wednesdays. She asks about his incision and his walking, and once she asked about the piano. She hasn’t come to dinner.

Alison hasn’t called.

I set the table for two now. The first Sunday I set it for four out of habit, and Earl watched me put the two plates back in the cupboard and didn’t say anything, and then he went out on the porch for a long time in the cold, where the doctor told him not to go.

The Cheyenne folder is in the kitchen drawer with the takeout menus. I keep meaning to throw it out.

Earl drank half his coffee and set the cup down on the side table. He took the felt-tip out of his shirt pocket, clicked the clip against his thumb twice, and put it back.

“Play something, Verna,” he said. “Loud.”

I lifted the lid on my mother’s piano.

If this one got to you, send it to somebody who’s ever sat in a waiting room with people who weren’t sure you counted as family.

For more family drama involving hidden valuables and relatives making their moves at the worst possible moment, read the sons searching their father’s overcoat at his wake and the grandfather who walked off with the punch slips. And for another story about family claiming what isn’t theirs, see the housewarming party thrown in a house someone else paid off.